Cultural photography from Asia | Craig Ferguson Images
Cultural photography from Asia | Craig Ferguson Images
Cultural photography from Asia | Craig Ferguson Images
Cultural photography from Asia | Craig Ferguson Images
Cultural photography from Asia | Craig Ferguson Images

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Self Assignments

Fishing Baskets

From an ongoing personal project that I've assigned myself.

You don’t have to have a client to have an assignment. One practical method that all photographers can undertake is the self-assignment. Start off with a particular subject or topic. This could be something you have a long-term interest in, something that is topical or seasonal to the place you live, or even something randomly chosen. The approach will be the same no matter how you choose the assignment subject.

Before we continue, professional photographers as well as those who aspire to be shouldn’t miss out on portfolio consultant Selina Maitreya and her audio series The View From Here. It’s available at a 50% discount using the code FOSCFI.

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Photo Essays

Fishing boats in the southern Taiwan port of Donggang.

Fishing boats in the southern Taiwan port of Donggang.

A staple of good documentary storytelling, a photoessay exists to communicate a story through a sequence of images based around a common theme. If you think of the entire photoessay like a news article, then the individual images have to be like the sentences or paragraphs in a written work. A photoessay can contain words itself, but only to clarify the content of the images, much in the way that photographs clarify the content of a written essay. A photographic essay is a form of visual communication. The photographer should go into it with a plan or idea about what it is they wish to convey. This idea may evolve as the essay is shot, but it is essential to have in order to begin. Approaching a photo essay without a plan will usually be evident to the viewer, as it won’t seem as cohesive as it should.

Before we go any further, let me remind you that my eBook Tips, Tricks and Pics is available to purchase for $5.

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Light Trails

Long exposure at Taipei 101

13 second exposure at f16

Long exposure photographs of light trails have been a favorite of photographers for decades. Done right, these type of images offer eye-catching results that are attractive to viewers. Additionally, for many photographers, capturing light trails is often the first time they use manual modes so provide important knowledge for future experimentation. Shooting these is actually pretty simple, provided you follow a few basic steps.

Gear

You’ll need a couple of things to make the most of this type of photography. Firstly, your camera must offer manual exposure control, or at the very least, the ability to control the shutter speed. All DSLR’s and a wide variety of digicams have these controls. A good, sturdy tripod is essential, as the images will be shot with exposure times that are too long to allow handholding. It’s also recommended that you have some kind of remote shutter release, either wireless or cable, to minimize the chances of any vibrations caused by touching the camera’s shutter button. If you don’t have this, you could get away with using the self-timer option on the camera. Also useful is a lens hood to limit lens flare from any ambient lights.

Technique

Find a location that sees plenty of nighttime traffic pass by and that also allows you an unrestricted (and safe) vantage point. Secure your camera to the tripod, set a suitable exposure and take a test shot. Every situation will be different so you’ll have to discover the optimal settings by yourself. As a starting point however, try a shutter speed in the 5 to 10 second range, and then adjust as necessary. Shoot in RAW at ISO100 (or ISO200 if that’s the lowest setting). You may need to switch your lens to manual focus, as the low light may cause the camera’s autofocus motor to hunt and have difficulty locking onto something. Consider using the B or Bulb mode in order to time your shots perfectly – hit the shutter release as the traffic approaches and close it as it leaves.

Remember that there are no right or wrong settings; use whatever combination of numbers that gives you images that you are happy with. Experiment with things and you’ll soon get a few shots to be proud of.

That was the 72nd Daily PhotoTip. If this post was useful to you, why don’t you subscribe to my feed, leave a comment and share it with your friends. You can also get access to exclusive content and special offers by subscribing to my newsletter. Sign up today. Thank you.


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  • Photo Essays
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  • Shooting For Your Book
  • Triangles
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